Kaaron Warren

The Understory

Allen & Unwin, 2024

A dark and magnificently inventive upmarket thriller about the lengths a lone woman will go to protect her home, and the family history it hides within its walls.

People come to visit my home and I love to show them around. Of course it's not the original house where it happened. That was destroyed when my entire family died. But I don't think their ghosts know the difference.

Pera Sinclair was nine the day the pilot intentionally crashed his plane into her family's grand home, killing everyone inside. She was the girl who survived the tragedy, a sympathetic oddity, growing stranger by the day. Over the decades she rebuilt the huge and rambling building on the original site, recreating what she had lost, each room telling a piece of the story of her life and that of the many people who died, both before and after the disaster. Her sister, murdered a hundred miles away. The soldier, broken by war. Death follows Pera, and she welcomes it in as an old friend. And while she doesn't believe in ghosts, she's not above telling a ghost story or two to those who come to visit Sinclair House.

On the day of her last haunted house tour of the season, an unexpected group of men arrive. One Pera recognises, but the others are strangers. But she knows their type all too well. Dangerous men, who will keep an old woman alive only so long as she is useful. But as she begins to show them around her home and reveal its secrets, the dangerous men will learn that she is far from helpless. After all, death seems to follow
her wherever she goes...

Sinister and lyrical, The Underhistory is a haunting tale of loss, self-preservation and the darkness beneath.


Meerkat Press, 2019

In this gothic-styled ghost story that simmers with strange, Warren shows once again her flair for exploring the mundane—themes of love, loss, grief, and guilt manifest in a way that is both hauntingly familiar and eerily askew.

People come to The Angelsea, a rooming house near the beach, for many reasons. Some come to get some sleep, because here, you sleep like the dead. Dora arrives seeking solitude and escape from reality. Instead, she finds a place haunted by the drowned and desperate, who speak through the sleeping inhabitants. She fears sleep herself, terrified that the ghosts of her daughters will tell her “it’s all your fault we’re dead.” At the same time, she’d give anything to hear them one more time.

2019 Bram Stoker Awards nominee

Into Bones Like Oil is an impressive, dark novella by one of Australia’s most imaginative writers
— The Canberra Times

About the Author

Kaaron Warren is the author of the novels Slights, Walking the Tree, Mistification, Tide of Stone and The Grief Hole and the short story collections Through Splintered Walls, The Grinding House, and Dead Sea Fruit. Her short stories have won her a Shirley Jackson Award, as well as multiple Australian Shadows Awards, Ditmar Awards and Aurealis Awards. She lives in Canberra, Australia.


Previous
Previous

Biff Ward

Next
Next

Hugh Watson